Thursday, September 12, 2013

Dr. Pepper 10: It's Not for Women

         
   When it comes to food and beverage advertisements, it is easy to see a clear bias when it comes to which products are marketed to which gender. Generally, high calorie, high protein food is marketed towards men, whereas lower calorie alternatives to those foods are almost always marketed to women. Consuming foods with large amounts of protein and fats is generally seen as masculine, while eating lightly is often viewed as feminine. Due to this trend, in this advertising, Dr. Pepper has attempted to appeal to many different stereotypically masculine activities and attitudes in order to present their low-calorie beverage as a manly beverage.
            Opting to not use their original slogan for this beverage, “It’s not for women,” in this ad, Dr. Pepper decided to pair images of their product with masculine activities, in order to assert that this beverage is intended for those who consider themselves to be manly. As the commercial opens up, the camera is set on a man, emerging from a tent, with scraggly hair and an unkempt beard. Facial hair, of course, being a trademark characteristic of masculinity. As this man comes out of his tent, to grab and eat bark directly from a tree, the singer of the background music sings “There’s no such thing as no man’s land to me,” meaning that nothing is off limits to this man. By saying this, the commercial is giving off the sense that this man is a dominant, aggressive man who takes what he desires. Dominance and aggressive tendencies are often considered to be very masculine characteristics, versus passiveness, which is generally seen as being feminine. After he takes a bite from the tree bark, the camera cuts to a shot of him holding a massive tree trunk. This shows the man, once again, as a dominant, masculine figure who takes what he desires. Next, the man is shown with his hand, elbow deep, in a raging stream, reminiscent of a bear hunting for salmon. This shot establishes a sense of self-reliance, a traditionally masculine trait. When he pulls his hand out of the stream, the product is revealed to be in his hand, covered in layers of ice. The man does not flinch as he swings his fist into a rock, breaking the ice. Again, exhibiting a sense of dominance, and a lack of fear towards pain. Then comes a shot that shows the man, acting in a masculine way, almost exactly how Devor would have described it. He is standing erect, legs spread out, arms held away from the body, as if to take up as much space as possible, while letting out a loud yell. This stance embodies the ideal masculine stance, showing him as standing his ground, ready to dominate any aggressor that attempts to challenge him. This represents the epitome of masculine physicality. In this shot, the advertisement is establishing that this product fully exudes masculinity, and has no traces of femininity associated with it. This entirely masculine behavior is desired by many men who wish to appear as masculine as possible. By showing a complete lack of femininity in their advertisement, Dr. Pepper Ten establishes their reduced-calorie beverage as a beacon of pure masculinity. The desire for masculinity becomes completely associated with the idea of drinking this diet soft drink. As the commercial draws to a close, the narrator comes in and states that Dr. Pepper Ten is “The manliest low-calorie soda in the history of mankind.” This act of disassociating the concept of a low-calorie soda from preconceived ideas of femininity creates a desire for the beverage, based completely on one’s desire to appear as masculine as possible.

            Dr. Pepper Ten’s ad campaign appears to be based on a simple premise, disconnect the beverage from the idea of femininity, and focus on appeal directly to men’s sense of masculinity. By doing so, their advertisement seemed to follow Devor’s stereotypically masculine characteristics, word for word. By showing their product as a symbol of masculinity, Dr. Pepper was able to associate their product with the concepts of ruggedness and manliness. By making these associations, they were able to create desire for their product, solely based on consumer’s desire to be masculine.

Tuesday, September 10, 2013

Blog 1




Tobacco advertisements have long been a source of controversy. From vintage ads featuring incorrect health advice, to common ads accused of pushing tobacco products onto children, tobacco ads have continuously been fought against by citizens and government alike. While it is clear why people are repulsed by certain ads, such as those advertising to kids and teens that smoking is “cool” and “hip,” different aspects of the advertising of tobacco can be much more fascinating. Like Jack Solomon had said in his essay Masters of Desire: The Culture of American Advertising, ads commonly do not reveal information about their product, but instead, utilize other techniques for creating a mass intrigue for their product. In this particular Newport ad, the creators play off of the western myth of the desire for a happy marriage, and the idea that their product will make the buyer belong, in order to raise desire for their product.
            The most striking aspect of this ad is its complete lack of information regarding the product. In addition to that, the models in the photo are not even using the product. By removing the cigarettes from the central portion of the ad, they manage to remove every negative connotation from the picture, even though the negative association that people would make with the photo comes from the product itself. The general, non-smoking, public views smoking as an unhealthy habit, and most smokers do as well. However the goal of this advertisement is to draw away from this aspect of smoking, and focus on how the product is pleasurable. Tobacco advertisements face a particularly difficult challenge when it comes to ignoring the negative health impacts the product can have, due to the obligatory Surgeon General’s Warning that must be posted on each advertisement. Through the use of vivid, contrasting colors, such as the bright green background and bold orange text, the eye is drawn immediately to the picture, not the fine print on the bottom. After someone’s attention is grabbed, their eyes immediately draw down to the models. Instantly, it can be seen that the models are happy. This reveals one of the most basic messages that advertisements try to convey. They are trying to show that if you purchase their product, you can be as happy as the two models in this picture, even though there is no evidence that the models have even used the product. However, this advertisement exploits a more basic human emotion, which Solomon noted in his article, which is the fear of not belonging. The advertisement features a newlywed, happy, couple. Against the backdrop of “Newport Pleasure,” this ad subconsciously claims that if you don’t smoke Newport brand cigarettes, you won’t find love. This idea brings up the fear that many Americans have, which is, marriage is the key to happiness in life. This cultural myth expresses marriage as being the end goal of life. Not only is it the norm to find someone to marry, but it is almost expected by most people.  If you find love, you will be happy. Newport is asserting itself as the key to finding this happiness. The statement they are making is that if you don’t buy this product, you will not be happy and you will not fit into this ideal notion of love. Thus, you will not belong. The fear of not belonging is a large driving force in advertising. By showing their product as a normative object, essential to one’s culture, a person is prone to purchasing the object in order to feel like they fit in. While smoking is seen by many as an atypical behavior, this advertisement attempts to instill the idea that smoking is the norm, and the key to all things pleasurable.
            This specific ad adheres to many of the criticisms that Solomon put forth in his essay. The lack of information regarding the product it is trying to sell, the incorporation of the cultural myth of a happy, American, marriage, and the exploitation of the fear of being alone are all prominent in this advertisement. While these unconscious appeals to the viewer’s emotion will not resonate with everyone that sees it, the prevalence of this and other similar Newport advertisements, across the internet and magazines, are a testament to their overall effectiveness.